Robin "the Actual-Racist" DiAngelo Smears Sistine Chapel
Robin positions herself as the negative to anything positive in the world
Crybaby racist Robin DiAngelo, author of White Fragility, made it clear that she is out to destroy Western Civilization.
DiAngelo uses, ‘Renaissance art as an example of “white supremacy and patriarchy.”
In this, she proved her main objective is to negate all the good in the world.
The masterpiece DiAngelo degrades is none other than Michelangelo’s “Creation of Adam” from the Sistine Chapel ceiling. Painted circa 1511, this now iconic fresco is the central point of Michelangelo’s epic depiction of the early chapters of Genesis. [The Federalist]
The arrogance of Critical Race Theorists, antiracists, and any ideology that is derivative of Marxism is that they believe man should be remade in the image of the critically conscious.
Then as now, the image of God extending his hand to Adam commands attention. Giorgio Vasari, Michelangelo’s student and biographer, described Adam as “a figure whose beauty, pose and contours are of such a quality that he seems newly created by his Supreme and First Creator rather by the brush and design of a mere mortal.” In his 2003 book Michelangelo and the Pope’s Ceiling, art historian Ross King explains how Michelangelo’s depiction of God was incredibly novel for its time: “The Lord God in full length, complete with bare toes and kneecaps, was a rare and unaccustomed sight.” [The Federalist]
But, anti-racists reject the Christian notion that man is made in the image of God.
The critically conscious believe they are the chosen people in their own cultish religious denominations.
Marxism is the religion of the narcissist.
Furthermore, DiAngelo's comments prove she wants to eliminate Christianity and Western Civilization.
The technical brilliance and theological depth of Michelangelo’s work are utterly lost on the philistine DiAngelo. Instead, in typical neo-Marxist fashion, she deconstructs the image so it can be forced to convey her crude political message:
When I’m doing a presentation, I use a lot of images; you may be surprised that the single image I use to capture the concept of white supremacy is Michelangelo’s Sistine Chapel. God creating man, you know, where God is in a cloud and there’s all these angels and he’s reaching out and he’s touching, I don’t know who that is, David or something [sic], and God is white and David’s white and the angels are white, like that is the perfect convergence of white supremacy, patriarchy, right? … I was raised Catholic, so I saw many images like that as a child. … I don’t think to myself, “Oh, God is white,” but that’s in a lot of ways its power, right? I always belong racially to what is seen, what is depicted as the human ideal.
DiAngelo’s ridiculous worldview is typical of the public school indoctrinated.
They are trained to hate everything that they are. I believe this is one reason for the rise of mental illness and depression in the West.
Those who are part of this Marxist cult often hate themselves, their language, and their culture more than anything.
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